An Introduction To Pastel Drawing & Painting

Portrait Painter — Mon, 21 Sep 2009 20:55:56 +0000

Pastels are a wonderful medium to work with. If you are used to painting in wet mediums like oils and acrylics then you should give pastels a try. They are a very refreshing and enjoyable approach to creating art. This article will introduce you to the various pastel mediums that are available as well as touch on a few pastel panting and drawing techniques that you can incorporate into your next work of art.

SOFT PASTELS

Soft pastels are probably the most popular of the various pastel mediums. Artists love the soft texture and the ability to paint on the colors which allows more freedom and usage of various techniques. Soft pastels can cover large areas and are well suited for blending. By varying the pressure, soft pastels can be applied in very light layers or impastos.

Because soft pastels are so delicate they can break easily so proper storage is important. Do not toss your soft pastels in a loose box or drawer. They must be stored in a cushioned box or tray for protection.

With excessive use, your pastels will become dirty by picking up other colors. This will eventually make it difficult to recognize your colors. You should get used to keeping your pastels clean by wiping them with a tissue every now and again.

PASTEL CRAYONS

Pastel crayons are of medium hardness. They are a cross between soft pastels and hard pastels. They give you the ability to work with painting techniques associated with soft pastels, as well as give you the ability to create sharp lines. They are available in a variety of colors and are quite popular for outdoor drawing because of their durability.

PASTEL PENCILS

Pastel pencils are similar to pastel crayons only they are encased in wood. They are perfect for doing detailed line work and can also be used for blending.

WATER SOLUBLE PASTELS

These wonderful pencils are noticeably different in consistency having a sort of waxy feel to them. They can be used as either a wet or dry medium. A wide range of effects can be achieved with these pencils because of the ability to use water. You can cover wide areas of your paper by creating lines and then transforming them into colorful washes.

OIL PASTELS

Oil pastels are also noticeably different in consistency as the pigment is bound using oil rather than gum. From your very first stroke you will instantly notice the rich deep tone that these pastels produce. Oil pastels are fragile and very sensitive to temperature. Try your very best to keep the wrapper on your oil pastels as you work or your hands will get quite dirty. Just like oil paints, you can use turpentine with your oil pastels if desired.

PASTEL TECHNIQUES

Blending

The characteristics of pastels make them differ in some ways when compared to other painting mediums like oils and acrylics. Unlike oil and acrylics which can be mixed on a palette, pastels must be mixed directly on the support (unless you are using the dry wash technique as described below). One such way to mix pastels is by using the blending technique. Blending is when two or more colors are combined by rubbing the colors into one another with your fingers or other blending tools. There are a number of tools available for blending and are discussed below.

Kneaded Eraser

You can purchase a kneaded eraser in any art store. Kneaded erasers are soft and pliable and can be made into any shape. Soften a kneaded eraser into a point and it can be used as an effective blending tool.

Brushes

A variety of paint brushes can be used to move and blend the pastels on your support. Both soft and hard brushes can be used depending on the pastel medium you are using and the desired result.

Tortillon

The tortillon is a great tool to have available for softening edges. When it gets dirty or worn down, you simply unwind the paper to reveal a fresh point.

Cotton Swab

This is another great little tool to have available. It is also great for softening edges and for getting into those smaller areas of your work.

DRY WASH TECHNIQUE

The dry wash technique is best suited for laying out large areas of color. This technique is great for landscape paintings when you need to block in large areas of sky. For this technique you will first need to scrape or crush a pastel into a powder. Then with a soft brush, cloth or other suitable tool, pick up some of the powder and apply it to your support and work it in. You can achieve a variety of different effects with this technique. You can mix different powdered pastel colors together first on your palette, or you can overlay individual layers of color on your support.

My Dabble Into Landscape Painting

Portrait Painter — Tue, 26 May 2009 18:19:14 +0000

My dabble into landscape painting showed me how fun it can be to be creative.

When I was a small child, I would rise at the first sign of dawn. I would not sleep past six, even when my parents begged and pleaded with me to just sleep a little longer. After they came to the conclusion that my internal clock was on its own time schedule, they decided that I could go ahead and get up as long as I quietly watched television. This sounded good, but in reality, there was really nothing on at six on a Sunday morning. One morning, though, I came across a show with a strange French guy who was painting landscapes with oil paints.

I began watching this show, simply because it was a little more interesting than watching church programming or infomercials. Eventually, though, I began to find that I was enjoying watching this man paint his beautiful landscape paintings. His smooth voice and strokes would quickly create trees and streams, simply by moving his brush across the canvas. He made it look so simple and easy, so I thought that I could create some landscape paintings myself. My paintings would have to be in crayon, however, since that was the only art tool that I had access to.

Thus began my habit. Each Sunday morning, I would wake at six and begin watching the landscape painting show. I would try to replicate what he was painting on the screen, while sitting on our couch. My crayons and drawing paper created some attractive pictures, but there were nothing compared to the landscape painter’s work. I came to the conclusion that I needed oil paints to make my paintings as beautiful as his.

I could not buy oil paints myself, since I was only seven years old, and my parents wouldn’t purchase them for me either. That is when I decided that I would just have to be creative. The only place that I could think of where I could locate some painting tools was in my mom’s makeup case. I used an old box as my pallet and then used the creamy makeup to make my paint by mixing them together. I used lipstick, blush, eyeshadow, and anything else that I could find to create my palette of colors. A blush brush was my paintbrush, an eyelash separator my tool for shading effects, and construction paper was my canvas. I was ready to create my masterpiece.

As I am sure that you guessed, my landscape painting using makeup only lasted that one Sunday. After my mom saw the mess I had made of her makeup, I was told that I couldn’t paint anymore. This put an end to my idea of using food the next time to create my palette. After a while, I quit watching the French painter. It had become too difficult to simply watch him when I was unable to create my own masterpiece. That was my dabble into landscape painting.

Portrait Paintings & Art» Crayons

An Introduction To Pastel Drawing & Painting

My Dabble Into Landscape Painting